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"Deceleration (that is, moving at a slower pace) is an important part of it, to be sure, but the crux of Slow research is less about a register of speed than it is about awareness—and especially about the shifts in perception and positioning that can be provoked when we commit to more expansive ways of being in and of the world. That means looking more closely and listening more deeply, noticing fine details and attuning to processes, and at the same time adopting a wider, more holistic view that situates our experiences within larger webs of relations, spaces, and times."
Carolyn F. Strauss, Slow Spatial Research: Chronicles of Radical Affection

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Alice Van der Wielen-Honinckx is a multidisciplinary artist with a solid background in literary studies, dramaturgy, choreography, and somatic practices. Alice works with body and text to create performances and installations where we can practice alternative ways of relating to time and to what it means to walk around with a womb. Her work and collaborations have been performed in theatre, public space, and visual arts contexts. Textile often plays an important role in her projects and the themes of slowness, deep perception, and care have been central to past creations, publications, and collaborations.




Alice created the durational performance Creatures at rest (2021), the audio-visual series It’s Good To Talk With You, Mother (2024), the participatory installation Hi, Mom (2024), and published ‘Space as Atmosphere: Floating in a Molecular Bath’ in Slow Spatial Reader: Chronicles of Radical Affection edited by Carolyn F. Strauss (Amsterdam: Valiz, 2021).

 

Alice collaborates as a dramaturge and performer with choreographers Benjamin Vandewalle, Jeanne Colin, Stav Yeini, Lee/Vakulya, Francesca Saraullo, as well as with multidisciplinary artist Evelien Cammaert. She occasionally teaches dramaturgy at École Supérieure des Arts du Cirque (ESAC, Brussels). Alice lives and works in Brussels.

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contact:

alicevdw@gmail.com

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